Of great artistic quality and probably painted during his stay in Naples, this youthful work by José de Ribera displays a composition based on Spagnoletto’s register. It presents the protagonist in three-quarter view, with his back turned, in a markedly austere yet balanced composition. The Valencian artist shows great mastery of drawing in the definition of the figure of St. Jerome, who appears both as a scholar and a penitent.
The saint and his attributes emerge from absolute darkness and become the focus of a paradigmatic tenebrist treatment, avoiding any drift into Baroque pathos. Ribera opts for a restrained composition, designed for a cultivated and sensitive audience, capable of being moved by the delicately modelled musculature through the pictorial handling, by the admirable definition of the volumes, and by the chromatic nuances of the beard and hair, together with the cardinal’s purple, soberly sculpted through an elegant and subtle treatment of light and colour.